MO3010060 exists as an archive–a set of objects, prints, and sculptural forms. Through a variety of digital capture techniques such as 3D scanning, audio processing, and video capture, the input of physical, “real” stimuli become digitized—numerical data, reshaped and distorted by technological processes. In their brief existence, these ephemeral digital objects are manipulated, obscured, and redacted, re-sequenced into technologically reproduced representational forms before being re-processed using analogue processes.This procedure not only gives birth to the numerical data in physical form, but alters and mistranslates the original stimuli while leaving pixelated artifacting, forms of digital redaction, and traces of the technological processes.